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We’ve updated our Terms of Use. You can review the changes here.
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  • Record/Vinyl + Digital Album

    Deluxe LP: First pressing limited to 300 copies with a green flexidisc bonus track: "Let The Almighty Tap Drip." 180 Gram Pressing. Liner Notes included.

    Includes unlimited streaming of Build A Church With Debris via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    edition of 300 
    Purchasable with gift card

      $24 USD or more 

     

  • Compact Disc (CD) + Digital Album

    The CD is our affordable, minimalist option with smashing artwork designed by the arteests.
    Looking for a fancier option? The LP version is our deluxe package pressed on 180 gram vinyl with liner notes and a special green flexidisc of the non-LP track "Let The Almighty Tap Drip" included with the first 300 copies only.

    Includes unlimited streaming of Build A Church With Debris via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    Purchasable with gift card

      $12 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $1 USD  or more

     

  • Buy the Full Digital Album

about

Cut Collage Reassemble (R.Keith)

original demo February 15th, 2009.
Recording Day One > December 30th, 2020
Final Mix > February 6th, 2021
Selected Instruments > Casio CZ-101, Muted Meinl Bongos, Altec 633a, Mellotron, Pandeiro, Alfaia, Triangle, ZVex Lofi Junky, Casio PT-80, Yamaha VSS-200

Notes: > Originally, Cut Collage Reassemble was going to be an Elias Alves style Brazilian arrasta-pé. As we were waiting for Rob Curto to finish his accordion part, the song took on a life of its own. It sounded more like a muted nightly news theme from the 70s or 80s. We thought that this was interesting, so we allowed the song to pull us in that direction. > The original demo for this song was written in 2009. The song was never finished. > The Pizzicato Five (Playboy & Playgirl), Stereolab, Andreas Dorau and the Go-Team all created interesting songs with horns. While theirs were mainly sampled from classic records, we liked the idea of using Mellotrons, Casios and really grubby field recordings. Instead of an in-your-face experience, we want the listener to be several stages removed from the rocket launch. You are not at the event. You are outside of the venue or you are hearing it through an old television set. > We all end up becoming a collage as we get older. We become a stack of glued, torn posters. As we age, the top poster becomes unglued and torn. The result is complex and new, revealing something that is a combination of the past and the present. >

lyrics

Cut Collage Reassembled (R.Keith)
original demo February 15th, 2009. EOGS: December 30th, 2020 - February 6th, 2021

It all came to me
It all came to me
The colors and the winding songs
and you’re dancing with your new dress on, new dress on, new dress on

It all came to me
It all came to me
This thing we made got chariot wings
and you’re dancing with your new dress on, new dress on, new dress on

Cut Collaged, Reassembled
Improbable we’d end up together

It all came to me
It all came to me
The surface unfolds for us to see
and you’re dancing with your new dress on, new dress on, new dress on

It all came to me
It all came to me
We’re painting over paintings
and you’re dancing with your new dress on, new dress on, new dress on

credits

from Build A Church With Debris, track released September 1, 2021
Written by Rob Keith

license

all rights reserved

tags

about

The Estate Owns The Ghost Show image

The Estate Owns The Ghost Show Brooklyn, New York

The Estate Owns the Ghost Show is Rob & Laura Keith. Based in Brooklyn, Rob & Laura use their lyrics and melodic vocals along with classic + cassette Mellotron, samples, 1960s Egmond six string & Fender lap steel guitars, upright bass, timpani, accordion, Casio keyboards, and other devices to create a painted sound aimed at replicating memories and lo-fi tableaus. ... more

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